[1]王 帅 孙慰川*.论新世纪以来台湾电影中的原住民形象建构[J].南京师大学报(社会科学版),2018,(02):152.
 WANG Shuai,SUN Wei-chuan.On the Construction of the Aboriginal Image in Taiwan Movies sincethe New Century[J].Journal of Nanjing Normal University (Social Science Edition),2018,(02):152.
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论新世纪以来台湾电影中的原住民形象建构
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《南京师大学报》(社会科学版)[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2018年02期
页码:
152
栏目:
电影艺术研究
出版日期:
2018-03-25

文章信息/Info

Title:
On the Construction of the Aboriginal Image in Taiwan Movies sincethe New Century
作者:
王 帅 孙慰川*
南京师范大学文学院,210097
Author(s):
WANG ShuaiSUN Wei-chuan
关键词:
台湾电影原住民形象反殖民
Keywords:
Taiwan moviesaboriginal imageanti-colonization
摘要:
新世纪以来,塑造原住民形象的台湾电影作品逐渐增多,台湾原住民籍导演以影像为族人发声的现象也开始出现。原住民在台湾银幕上逐渐摆脱了被异化、被边缘化的“他者”命运,越来越进入主流的影像叙事中,呈现出丰富且生动的面貌。但不可忽视的是,在此过程中也暴露出了诸多问题。本文通过对这一时期台湾电影中的原住民形象进行检视与反思,探讨如何才能建构出真实的原住民形象。
Abstract:
Since the beginning of the new century,the number of movies produced in Taiwan which haveshaped the image of aboriginal people has gradually increased,and the aboriginal directors have begun to givea voice to the indigenous people by using images in their movies. On the screen,the aboriginals gradually getrid of being alienated and marginalized as“ others” and begin to be integrated into the mainstream narrative,showing a rich and vivid appearance. But what cannot be ignored is that at the same time such efforts madeby the aboriginal directors have also given rise to many problems. This article is thus intended to examine theimage of the aborigines in the movies of Taiwan in this period in order to explore how to build a true image ofthe aboriginals.

相似文献/References:

[1]孙慰川.论“解严”初期的台湾电影[J].南京师大学报(社会科学版),2013,(02):147.
 SUN Wei-chuan.Taiwanese Cinema from 1987 to 1994[J].Journal of Nanjing Normal University (Social Science Edition),2013,(02):147.

备注/Memo

备注/Memo:
* 王帅,南京师范大学文学院博士研究生;孙慰川,文艺学博士,南京师范大学文学院教授、博士生导师,210097。本文系文化部文化艺术研究项目“ECFA 时代的台湾电影及两岸合拍片研究”(16DC20)阶段性成果
更新日期/Last Update: 2018-03-25