新生代电影导演的新青春叙事-《南京师大学报》（社会科学版）

文章信息/Info

Keywords:: new-generation directors; new youth narrative; inheritance; rewriting; innovation

摘要:: 新生代电影导演在创作青春电影之时，与第六代电影导演的青春叙事呈现出继承、改写与新变的关系，是一种“新青春叙事”。具体表现为：以纠结于青春的“西西弗斯”为对象，在继承对“残酷青春”状态的摹写中呈现“假定性失忆”和“替代性转移”的新气质；以“悬而未决”的仪式抵抗为故事情节内核，通过回答“怎么做？”，对第六代导演反复探讨的“为什么？”问题进行一定程度的回应和改写；受商业语境、大众文化以及国际交流等因素的影响，这种叙事呈现出资本符号化、喜剧性表达和跨地域书写等时代特征，具有新变意味。

Abstract:: Compared with the youth narrative of the sixth generation directors，the youth movie of the newgenerationdirectors presents the characteristics of inheritance，rewriting and innovation，which is a new typeof youth narrative. The new-generation directors take as the object for depiction the struggling“ Sisyphus”who is puzzled by the fading of youth. Correspondingly，their movies show the peculiarity of“ hypotheticalamnesia” and“ alternative transfer” in their depictions of the cruel youth. Furthermore，to a certain extent theytry to respond to the repeated question of“ Why?” asked by the sixth generation directors through focusing onanswering the question of“ How to do it?” in their movies whose plots focus on the unresolved ceremonialresistance. Influenced by such factors as business context，popular culture and international communication，this type of emerging narrative shows the new characteristics of capital symbolization，comedy expression andcross-regional writing.