论音乐诠释学的起因、诉求与历程-《南京师范大学学报（社会科学版）》

文章信息/Info

摘要:: 音乐诠释学发展至今已有近两百年的历史，它是西方音乐研究发展到一定阶段的自然需求，也是对实证主义研究的有效补充。尽管已经出现不少有关音乐诠释学方面的研究成果，但从学理角度对它的学科性审思依然不足。本文拟从起因、诉求和历程三个维度切入，呈现音乐诠释学之所以产生的原因、不同于实证主义事实研究的意义探求及其由自发到自觉的历史进程。最后对音乐诠释学进行批判性反思，吸取其之于西方音乐研究的合理成分。

Abstract:: The music hermeneutics has developed for nearly two hundred years. It is a natural result when thewestern music research arrived at a certain stage，and also forms an effective complement to the positivism inmusic studies. Although there have been many studies on music hermeneutics，the reflection on its disciplinarynature from the academic perspective is still inadequate. From the three dimensions including reason，pursuitand course，the paper intends to analyze the reason why music hermeneutics arose，reveal its explorationof meaning which is different from the fact finding of the positivism and describe its historical developmentfrom spontaneous to conscious. Finally，the paper makes a critical reflection on the music hermeneutics，andidentifies the reasonable elements it contains for western music research.