Relationship between Poetic Thoughts and Regional Cultures(PDF)
《南京师大学报》(社会科学版)[ISSN:1006-6977/CN:61-1281/TN]
- Issue:
- 2014年06期
- Page:
- 131-136
- Research Field:
- Publishing date:
Info
- Title:
- Relationship between Poetic Thoughts and Regional Cultures
- Author(s):
- ZHU Li-xia
- Keywords:
- Wu culture; Qi culture; Chu culture; poetic circle in the mid- to late-Ming Dynasty
- PACS:
- -
- DOI:
- -
- Abstract:
- In the mid- to late-Ming Dynasty, two regional cultures competed with each other for the leadership in poetic circles: one was the Qi culture with fourteen famous poets as its representatives(known as the former and later “Seven Masters”); the other was the Chu culture with the poets from the Gong’an School and Jingling School as its major supporters. However, the Wu culture, though comparatively weak, also occupied a pivotal position in that period. Though affiliated with the camp of the former “Seven Masters”, Xu Zhenqing, a poet from the central Wu region, maintained the features of Wu culture in his works. The same is true with Wang Shizhen from Taicang area, though he was the leader of the later “Seven Masters”. Qian Qianyi, the editor of Lie-chao shi-ji列朝诗集(Anthology of the Poetry in the Past), tried to protect the Wu culture when compiling this great work. The various competitions and endeavors in that period indicate that the poetic creation and study were in a sustained interaction with the regional cultures.
Last Update: 2014-12-31