[1]刘志权.重述、疗愈与告别——鲁迅的创伤体验与《野草》写作[J].南京师大学报(社会科学版),2024,(02):135-145.
　LIU Zhiquan.Restatement, Healing, and Farewell: Lu Xun’s Traumatic Experience and the Writing of Yecao[J].Journal of Nanjing Normal University (Social Science Edition),2024,(02):135-145.
点击复制

重述、疗愈与告别——鲁迅的创伤体验与《野草》写作
分享到：

《南京师大学报》（社会科学版）[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2024年02期
页码:
135-145
栏目:
出版日期:
2024-04-25

文章信息/Info

Title:
Restatement, Healing, and Farewell: Lu Xun’s Traumatic Experience and the Writing of Yecao
作者:
刘志权
Author(s):
LIU Zhiquan
关键词:
创伤心理; 《野草》; 文明批评
Keywords:
trauma;  Yecao;  civilizational criticism
摘要:
《野草》处于前期鲁迅向后期鲁迅转型的过渡期，借此探究鲁迅这一阶段的心路历程，对理解鲁迅有重要意义。种种迹象表明，《新青年》团体的解散及兄弟失和事件的双重打击，对鲁迅造成了心理创伤并导致了《野草》的形成。从妙手偶得的《秋夜》到《影的告别》到最终的《题辞》，显示了《野草》作为“告别过去”的创伤见证书写的定位；过去的生命、死去的生命及朽腐的生命的三分法，以及黑暗、死亡与深渊意象，构成了《野草》创伤写作的重要内涵。与许广平的爱情帮助鲁迅走出孤寂的“独头茧”，后期《野草》中的“腊叶”“野蓟”以及现实中悬挂安特来夫像的行为，见证了鲁迅创伤的愈合。鲁迅终于走进光明，结束了向内的自我剖析，开始了“文明批评”与“社会批评”的新路。
Abstract:
Yecao野草(Wild Grass)is situated in the transitional period from early Lu Xun to later Lu Xun, and exploring Lu Xun’s journey during this stage is of great significance for understanding this great Chinese writer. There is ample evidence that the dissolution of the “New Youth” group and the double blow of the rift with his brothers inflicted psychological trauma on Lu Xun and led to the formation of Yecao. From the fortuitous creation of Qiuye 秋夜(Autumn Night)to Ying de gaobie 影的告别(Farewell to the Shadow)to the final Tici 题辞(Inscription), it is evident that Yecao is positioned as a witness to the trauma of “farewell to the past”. The tripartite division of past life, deceased life, and decayed life, as well as the imagery of darkness, death, and abyss, constitute important connotations of the traumatic writing in Yecao. With the help of Xu Guangping’s love, Lu Xun emerged from the lonely “cocoon of solitude”, and the later inclusion of “wax leaves” and “wild thistles” in Yecao, as well as the act of hanging a portrait of Andreyev in his room, witnessed the healing of Lu Xun’s trauma. Lu Xun finally stepped into the light, ending his inward self-analysis and embarking on a new path of civilizational and social criticism.

相似文献/References:

[1]张 娟*.《野草》中的“陌生人”世界和城市批判[J].南京师大学报(社会科学版),2018,(06):126.
　ZHANG Juan.The Strangers’ World and Urban Criticism in Lu Xun’s Wild Grass[J].Journal of Nanjing Normal University (Social Science Edition),2018,(02):126.
[2]宋夜雨.“摩罗”复现和“心声”再起——鲁迅早期的诗歌经验与《野草》的写作[J].南京师大学报(社会科学版),2024,(01):157.
　SONG Yeyu.The Revival of “Mara Poet” and “Voice of the Heart”: Lu Xun's Early Poetic Experience and His Writing of Yecao[J].Journal of Nanjing Normal University (Social Science Edition),2024,(02):157.

备注/Memo

备注/Memo:
刘志权，文学博士，南京师范大学文学院教授（南京210097）。本文系国家社科基金项目“‘平民文学’理论与中国现当代平民文学史建构研究”（21BZW137）的阶段性研究成果。
更新日期/Last Update: 2024-04-25