[1]陶小军 王菡薇.宋代科举弥封誊录制度与书法意趣变化的关系[J].南京师大学报(社会科学版),2015,(06):131.
　TAO Xiao-jun,WANG Han-wei.Relationship between the Sealing and Transcribing System in theImperial Examinations and the Changes of Calligraphy inInterest and Charm in the Song Dynasty[J].Journal of Nanjing Normal University (Social Science Edition),2015,(06):131.
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宋代科举弥封誊录制度与书法意趣变化的关系
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《南京师大学报（社会科学版）》[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2015年06期
页码:
131
栏目:
宋代文化与艺术研究
出版日期:
2015-12-15

文章信息/Info

Title:
Relationship between the Sealing and Transcribing System in theImperial Examinations and the Changes of Calligraphy inInterest and Charm in the Song Dynasty
作者:
陶小军 王菡薇*
陶小军,南京艺术学院文化产业学院,210013; 王菡薇,南京师范大学美术学院,210097
Author(s):
TAO Xiao-jun;  WANG Han-wei
关键词:
宋代;  弥封誊录;  书法风格
Keywords:
Song Dynasty;  sealing and transcribing;  calligraphic style
摘要:
由唐至宋,伴随着弥封誊录制度的形成和固定化,书法素质高低对科举考试成败的影响大为降低,但唐人尚法向宋人尚意的整体书法时代特征并非是宋代科举弥封誊录制度推行和应用的结果。宋人对“意”的追求是以“法”为基础的,“意”与“法”之间没有自由创作与困于樊笼的理念对立,更没有行草书与楷书之间的字体对立,而是包含了在现有的经验上寻求新的拓展空间的发展关系。至于唐宋两代书法家不同的艺术追求和书法作品所表现出的时代气质,可能是文人社会地位及精神状态的不同造成的。
Abstract:
With the establishment of the sealing and transcribing system, the influence of the quality of calligraphy on the success in the imperial examinations in the Song Dynasty was greatly reduced in comparison with the Tang Dynasty. However, the calligraphy characteristics of esteeming norm in the Tang Dynasty and valuing meaning in the Song Dynasty were not the result of the implementation and application of the sealing and transcribing system in the imperial examinations in the Song Dynasty. The pursuit of “meaning” in the Song Dynasty was actually based on “norm”. What exists between “meaning” and “norm” is not an ideological opposition between free creation and restricted creation, or a calligraphic opposition between running and cursive scripts and regular script, but a developmental relationship of expanding new space on the basis of existing experience. The different artistic pursuits of the calligraphers in the Tang and Song dynasties and the different zeitgeists embodied in the calligraphic works most probably resulted from the different social positions and spiritual states of the literati.

相似文献/References:

[1]刘尊明*.宋代无名氏词中的孤调及其词史意义[J].南京师大学报(社会科学版),2017,(06):120.
　LIU Zun-ming.Exclusive Tune Patterns in the Ci Poems by Anonymous Poets inSong Dynasty and Their Significance in the History of Ci Poetry[J].Journal of Nanjing Normal University (Social Science Edition),2017,(06):120.

备注/Memo

备注/Memo:
* 陶小军,历史学博士,南京艺术学院文化产业学院副研究员,210013; 王菡薇,南京师范大学美术学院教授,博士生导师,210097。本文是国家社科基金项目“中国近现代书画市场发展史”(14BA011)、文化部文化艺术科学研究项目“艺术品传播与艺术创造活力研究”(14DH49)的阶段性成果。
更新日期/Last Update: 2015-12-15