[1]张 杨 刘志权.20世纪初中国乌托邦小说中的庆典想象[J].南京师大学报(社会科学版),2019,(03):141-148.
　ZHANG Yang,LIU Zhiquan.The Ceremony Imagination in Chinese Utopian Novels in Early Twentieth Century[J].Journal of Nanjing Normal University (Social Science Edition),2019,(03):141-148.
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20世纪初中国乌托邦小说中的庆典想象
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《南京师大学报》（社会科学版）[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2019年03期
页码:
141-148
栏目:
语言文学研究
出版日期:
2019-05-25

文章信息/Info

Title:
The Ceremony Imagination in Chinese Utopian Novels in Early Twentieth Century
作者:
张 杨 刘志权
南京师范大学文学院（南京 210097）
Author(s):
ZHANG Yang;  LIU Zhiquan
关键词:
20世纪初; 中国乌托邦小说; 庆典想象; 剧场国家
Keywords:
in the early 20th century;  utopia novels in China;  ceremony imagination;  theater state
摘要:
庆典想象在20世纪初中国的乌托邦小说中频繁出现，承载着作家的政治信仰与文学观念，象征着完美的秩序与典范的国家形象。在乌托邦与现实之间复杂关系的影响下，作为药引的庆典时常自然地消融于现实中，想象的重心就此转移到道路探索上，但庆典作为政治象征的意义并未被减弱。在庆典想象中，国家走向公众化与戏剧化，随后，这个想象中的剧场国家又在世界即舞台观念的影响下走向现实，与乌托邦有关的文学因此成为一种行动。
Abstract:
In the early 20th century, various forms of imagined ceremonies appeared in the utopian novels in China, they embody the then intellectuals’ political beliefs and literary concepts. The ceremonies symbolize the perfect order and exemplary national images. Under the influence of the complex relationship between utopia and reality, the ceremony as a drug guide（i.e. the substance triggering the effect of the herbs） in Chinese traditional medicine often naturally melted into reality, and then the focus of imagination shifted to the exploration of roads China could take. But the significance of the ceremony has not been weakened. In the imagination of ceremony, the nation goes public and dramatic. Then, the theatricalized state moves towards reality by the influence of the metaphorical concept that the world is a stage. The utopian literature has actually become an action of reforming the reality.

相似文献/References:

[1]孙健.20世纪初的欧洲史学理论与中国史研究——以福兰阁的王安石研究为例[J].南京师大学报(社会科学版),2023,(04):150.
　SUN Jian.European Historical Theories and Chinese History Studies in Early 20th Century: Exemplified by Otto Franke's Research on Wang An'shi[J].Journal of Nanjing Normal University (Social Science Edition),2023,(03):150.

备注/Memo

备注/Memo:
张杨，南京师范大学文学院博士生（南京 210097）；刘志权，文学博士，南京师范大学文学院教授（南京 210097）。About the authors: ZHANG Yang is PhD Candidate at School of Chinese Language and Literature, Nanjing Normal University（Nanjing 210097）; LIU Zhiquan, PhD in Literature, is Professor at School of Chinese Language and Literature, Nanjing Normal University（Nanjing 210097）.a
更新日期/Last Update: 2019-05-25