[1]季中扬*.从节气歌谣、谚语看二十四节气的活态传承[J].南京师大学报(社会科学版),2018,(02):054.
 JI Zhong-yang.The Inheritance of Twenty-four Solar Terms through LivingBallads and Proverbs[J].Journal of Nanjing Normal University (Social Science Edition),2018,(02):054.
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从节气歌谣、谚语看二十四节气的活态传承
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《南京师大学报》(社会科学版)[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2018年02期
页码:
054
栏目:
文化史研究
出版日期:
2018-03-25

文章信息/Info

Title:
The Inheritance of Twenty-four Solar Terms through LivingBallads and Proverbs
作者:
季中扬*
南京农业大学民俗学研究所,210095
Author(s):
JI Zhong-yang
关键词:
歌谣谚语二十四节气非物质文化遗产
Keywords:
balladsproverbstwenty-four solar termsintangible cultural heritage
摘要:
二十四节气作为时间经验框架,是一种抽象的形式,具体的生产、生活经验构成了二十四节气文化丰富多彩的内容,内容与形式的自由结合产生了既有普遍性、又有地方性的二十四节气知识。二十节气内容与形式之间的自由结合关系,使其传播有着超空间性,传承具有超时间性。二十四节气作为一种知识,歌谣、谚语是其主要存在形态与传承方式。在当代社会,各种传统的节气歌作为文化遗产已经得到或者应该得到保护,但更为重要的是,出现了大量新编节气歌。这说明二十四节气作为时间经验框架在现代社会仍然有着实用功能,而且歌谣、谚语仍然是其主要存在形态。
Abstract:
As a framework of temporal experience,the system of twenty-four solar terms is abstract in form,but at the same time it is also a type of culture full of rich and colorful contents based on the concrete specificproduction and life experience. The free combination of content and form of the solar terms has produced abody of knowledge of seasonal points,which has both universality and local features. The interaction betweenthe content and form of twenty-four solar terms has made them widely spread despite the distances in space andsmoothly inherited despite the differences in time. As a body of knowledge,the twenty-four solar terms haveexisted and been inherited mainly in the form of ballads and proverbs. In the contemporary society,all kinds oftraditional songs of seasonal points have been or should be protected as cultural heritage. But more importantly,a lot of new songs of this type have appeared. This shows that the twenty-four solar terms as a time experienceframework still have practical function in modern society,and the relevant ballads and proverbs are still themain form of their existence.

备注/Memo

备注/Memo:
* 季中扬,南京农业大学人文与社会发展学院教授、南京农业大学民俗学研究所所长,210095。本文系文化部文化艺术研究项目(17DH12)、南京农业大学中央高校基本科研业务费人文社科基金项目(SKCX2017010)阶段性成果。
更新日期/Last Update: 2018-03-25