论新世纪长篇小说“文革”叙述的话语形态-《南京师大学报（社会科学版）》

文章信息/Info

Title:: Narration of“ Cultural Revolution” in the Novels of the New Century：Focusing on Its Form of Discourse

Keywords:: novel of the new century; “ Cultural Revolution” narration; consumptionism; market; nostalgia; petty bourgeoisie taste

摘要:: 在市场化与消费主义语境中，“文革”历史在可资写作的同时，亦成为了消费娱乐的文化资源。新世纪长篇小说的“文革”叙述在书写方式与表达策略上，呈显出鲜明的消费主义话语形态。以“性＋革命”作为想象“文革”历史的一种定式，渲染文革时期“性爱奇观”；回叙“文革”的青春记忆时，聚焦于重构自由快乐与浪漫纯情的青春镜像，透露出浓郁的怀旧心态；把文革中的日常生活予以“消费编码”和“温情化”处理，亦是对当下小资情调的同步归趋。这种受到市场与消费主义规约的“文革”叙述的话语形态，导致了对历史深度反思的缺失，亦放逐了对苦难与创伤的追问。

Abstract:: In the context of the marketization and consumptionism， the history of“ CulturalRevolution”makes a worthy literary theme， which meanwhile becomes a type of cultural resources forconsumption and entertainment. The narration of“ Cultural Revolution” in the novels of the new century hasdemonstrated a distinctive form of discourse featuring consumptionism in terms of the narrative style andstrategy. A fixed pattern o“f sex plus revolution” is used to render the queer thoughts on sex during th“e CulturalRevolution” period， thus forming a constructed historical image of that particular period. While retelling thememories of youth during“ Cultural Revolution”， the novelists usually focus on reconstructing a mirror imageof youth filled with freedom， happiness， romance and innocence， showing a strong sense of nostalgia. Itis to some extent a pandering to the current petty bourgeoisie taste and mentality to turn the daily life duringCultural Revolution into a type of recourses for cultural consumption and thus render it a rosy color. This typeof discourse on“ Cultural Revolution”， which is curbed by marketization and consumptionism， leads to alack of profound reflection on the history and misses the chance to explore the sufferings and trauma peopleexperienced at that time.