《鼓吹新编》与清初遗民文化和文学-《南京师大学报》（社会科学版）

文章信息/Info

Title:: Gu Chui Xin Bian and the Culture and Literature of the Ming Adherents in Early Qing Dynasty

Keywords:: Gu Chui Xin Bian; selected poems; adherents of Ming Dynasty; naming taboo

摘要:: 《鼓吹新编》是程棅、施禋在清初辑录时人七言律诗的选本。尽管程、施二人未见于各种明遗民录，但他们入清后的隐者身份、多遗民朋友、行为和心态符合遗民特征等足证两人当是明遗民。《鼓吹新编》奉明代为正朔，为明代诸帝（包括南明诸王）避讳，成为清初避明讳的一个样本，丰富了遗民文化的表现形式。入选该书者多明清之际的忠烈遗逸，入选诗歌题材集中于家国兴亡，旧国旧君之哀婉、命运无常之凄愤等情感贯穿全书，较卓尔堪《遗民诗》更具易代特征。

Abstract:: Gu Chui Xin Bian is an anthology of seven-character regulated verses compiled by Cheng Bing and Shi Yan in the early Qing Dynasty. Although Cheng and Shi did not appear in various records of the adherents of the Ming Dynasty, their reclusive status, their many friends among the Ming adherents, and their behaviors and mentality all conform to the characteristics of the Ming Dynasty's adherents, which strongly indicates that they were indeed adherents of the Ming Dynasty. The anthology regards the Ming Monarchy as the legitimate ruling authority in China and avoids mentioning the names of the Ming emperors(including the kings of the Southern Ming Dynasty)as taboos, thus serving as an example of the practice of naming taboo in the early Qing period, thereby enriching the forms of loyalist culture. The anthology predominantly features individuals known for their loyalty and integrity during the transition from the Ming to the Qing, with the selected poems focusing on themes of national and dynastic decline, the sorrow for the old empire and rulers, and the anguish of unpredictable fate. These emotions permeate the entire collection, making it a distinctive work with characteristics of a dynastic transition, more so than Zhuo Erkan's Yimin Shi(Poems of the Adherents).