现代中国佛教诗话考论-《南京师大学报》（社会科学版）

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摘要:: 现代中国佛教诗话特征有三：一是具有鲜明的专门性，记叙与评说的对象一般都集中在佛教内部，即使涉及世俗诗人，也大都是与佛门有关的事件与作品，其记叙和评论都较为鲜明地表达出一种佛教立场。二是质疑精神和追求真知，在品鉴诗歌方面特别重视“未经人道”，重视对新时代中新的社会风习和新的文化思潮的呼应，重视辩论与质疑的研究方法。三是在诗学理论上提出了“诗僧之诗”与“僧人之诗”的概念分辨并进行了比较深入的讨论，不仅提出“僧人之诗”和“诗僧之诗”的区别，而且把苏曼殊的诗歌作为诗僧之诗的典范，从佛教文学生存论的角度，充分意识到了在一个以转型为标志的现代社会里，不适应现代社会个性主义张扬的潮流与趋势，佛教诗歌不会有真正出路。

Abstract:: The characteristics of modern Chinese Buddhist poetics can be summarized as follows. Firstly, it exhibits distinct specialization. The narratives and critiques in this area primarily focus on the internal matters of Buddhism. Even when secular poets are involved, modern Chinese Buddhist poetics is mostly about the events and works related to Buddhism. The narratives and commentaries vividly express a Buddhist standpoint. Secondly, it embodies a spirit of questioning and the pursuit of true knowledge. Particularly in the appraisal of poems, modern Chinese Buddhist poetics pays special attention to the “original insights”, valuing responses to new societal customs and cultural trends of the era, as well as prioritizing the research methods involving debate and questioning. Thirdly, in terms of theoretical achievement, modern Chinese Buddhist poetics puts forward a conceptual distinction between “poems by monks” and “poems by monk poets” and engages in thorough discussions. It not only differentiates the “poems by monks” from the “poems by monk poets”, but also takes Su Manshu's poems as an exemplar of the poems by monk poets. From the perspective of the survival of Buddhist literature, it fully recognizes that in a modern society characterized by transition, without adapting to the tendency of advocating the expression of individuality in modern society, Buddhist poetry will not have a real way out.