革命现代性与启蒙现代性的历史变奏——论20世纪中国红色戏剧的审美品格-《南京师大学报》（社会科学版）

文章信息/Info

Title:: The Historical Variation of Revolutionary Modernity and Enlightenment Modernity: The Aesthetic Character of Chinese Red Drama in the 20th Century

Keywords:: revolutionary modernity; enlightenment modernity; 20th Century; Chinese red drama; aesthetic character

摘要:: 在革命现代性与启蒙现代性的不同投射下，文艺会呈现出完全异样的风貌。20世纪20年代末以来，党的领导下的戏剧经历了苏区红色戏剧、国统区左翼戏剧、解放区戏剧、十七年社会主义戏剧和新时期主流（主旋律）戏剧等不同形态戏剧样式的嬗变。在红色戏剧近四分之三个世纪的发展进程中，革命现代性与启蒙现代性追寻由于历史环境不同而争持相长、强弱异势，使红色戏剧在不同历史时期、不同历史时期的不同历史阶段呈现出多变、多元、多样的审美品格。

Abstract:: Under the different projections of the Revolutionary Modernity and the Enlightenment Modernity, literature and art tend to present completely different styles and features. Since the late 1920s, under the leadership of the Party, the drama has undergone a series of changes ranging from the red drama of Communist-controlled China to the left-wing drama of the Kuomintang-controlled area to the drama of the liberated area to the 17-year socialist drama to the mainstream(main melody)drama of the new period. In the course of nearly three-quarters of a century's development of red drama, the pursuits of Revolutionary Modernity and Enlightenment Modernity, due to their different historical circumstances, have been struggling with each other in strength and weakness, so that the red drama is diverse and dynamic in aesthetic quality in different historical periods and even in the different stages of the same historical period.