《繁花》现象与中国当代小说的语言建设-《南京师大学报》（社会科学版）

文章信息/Info

Keywords:: Fanhua; language concept; Chinese novels; language construction

摘要:: 《繁花》的深入研究不能离开语言的讨论。小说以言物一致为基本原则,打破了当代上海叙事中的拜物教迷恋,为当下小说突破地方性的拘泥提供了转换思路; 小说非个人化的语言策略解放了文学伦理中的限制性部分,这是平衡现今小说私人性与公共性的重要参照。作家对口语的读改实现了一种崭新的言语方式,对话带来了异质的叙述动力,从而有效地纠偏了传统的语言进化论。小说建立在存在与体验之上的语言意识,为现代汉语小说语言观念的革新带来了深刻启示。

Abstract:: An in-depth study of the novel Fanhua繁花(Various Flowers)cannot be separated from the discussion of the language it uses. Following the principle of the agreement between words and things, the novel breaks the fetishism in typical Shanghai narrative in contemporary fiction, providing a new way of thinking for the current novel to rise above the limitations imposed by locality. Non-personalized language strategy liberates the restrictive part of literary ethics, making it an important reference for balancing the individuality and publicity of contemporary fictions. The writer of Fanhua has created a brand-new way of narrative by rewriting spoken language, thus leading to an effective correction of the traditional theory of language evolution. Language consciousness based on existence and experience has brought profound enlightenment to the innovation of language concept in modern Chinese fiction.