1946年前后历史转折点上的东北文学——以《东北文学》的创作和争鸣为中心-《南京师大学报》（社会科学版）

文章信息/Info

Title:: Northeastern Literature at the Historical Turning Point around1946: Focusing on the Creation of and Controversy over NortheasternLiterature

Author(s):: ZHANG Conghao; ZHANG Conghao, PhD in literature, is Professor and PhD Supervisor at College ofHumanities, Jilin University ( Changchun 130012 ).

Keywords:: northeastern literature; writers of the Puppet Manchuria; cultural transformation

摘要:: 1945年8月东北光复后，创刊于长春的大型文学期刊《东北文学》展现了伪满作家告别旧我，创造新我，积极建设东北文坛的热情与愿望，以及在历史解放后自我救赎的种种努力。他们总结着“丰富的过往”和“有限的过去”，沿袭着“东北意识”和“创作惯性”，流露出“自我纯洁化倾向”与“个人危机感”。这本杂志上的创作及与之相关的争鸣，真实地体现了缺少主导潮流的惶乱自由的东北历史文化与文学转型的粗糙面上，伪满作家面对幽冥莫辨的未来的困惑迷茫和他们试图维系在东北文坛的主体地位的顽强坚持和自处之道。他们与彼时现实的多元和不适关系中也隐含着认同危机与文化割裂的痛楚，以及旧的文化与文学时代即将终结的历史讯息。

Abstract:: After the recovery of the northeastern provinces in August 1945, a group of writers from theformer Puppet Manchuria set up the large-scale literary journal Northeastern Literature in Changchun andshowed great enthusiasm and desire to bid farewell to the old times, create new literature, build the Northeasternliterary world, and conduct self-salvation after the liberation. In this process, they summed up the“ richpast” or the“ limited past” , carried forward the“ northeastern consciousness” and“ creative inertia”, andshowed a“ self-purification tendency” and a feeling of“ personal crisis” . The works published in this journaland the controversies they aroused truly embody the turbulent history of the northeastern region which wascharacterized by cultural and literary transformations in the absence of dominant ideological orientation. Facingthe confused future and driven by their tenacious persistence, the writers from the former Puppet Manchuriatried to maintain their dominant position in the northeastern literary world. However, their complicated andunpleasant interaction with the reality suggests that they felt identity crisis and the pain of cultural separationand that the old cultural and literary era was coming to an end.