从“自述其名”方式看“卒章显志”叙事模式的变迁 ——以《崧高》《烝民》《巷伯》《节南山》《閟宫》为中心-《南京师大学报（社会科学版）》

文章信息/Info

Title:: Evolution of the Narrative Mode Characterized by Bringing out the Motive at the End of the Text from the Perspective of Revealing the Narrator’s Name: Centering on xiangbo, jienanshan, songgao, zhengmin, and bigong

Keywords:: poetry; true author; narrative text; revelation of the narrator’s name; bringing out the motive at the end of the text; narrative mode

摘要:: 《诗·小雅·巷伯》《节南山》《大雅·崧高》《烝民》《鲁颂·閟宫》的“叙述者”皆采用在卒章“自述其名”方式“显志”的叙事结构模式,即在叙事文本中以“真实作者”替换了叙述者“我”,是一种最典型的“公开的叙述者”,其共同特点就是叙事主体显性评价与自我意识的不断强化。由此而开创的在诗歌叙事文本中“卒章显志”的叙事模式,对后世中国诗歌乃至个体文学创作产生了深刻影响。

Abstract:: Narrators of shijing·xiaoya·xiangbo诗·小雅·巷伯, jienanshan节南山, daya·songgao 大雅·崧高, zhengmin烝民, and lusong·bigong鲁颂·閟宫 adopted a narrative mode characterized by revealing their names at the end of the texts to bring out their motives. In other words, they replaced the narrator “I” with the authorial “I’, referring to the real author himself. This is a typical case of overt narrator. One thing they have in common is the strengthening of the narrative subject’s overt evaluation and self-consciousness. Such a narrative mode has exerted a profound influence on the creation of Chinese poetry and even literature in general.