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《南京师大学报》（社会科学版）[ISSN:1006-6977/CN:61-1281/TN]

卷:

期数:

2014年02期

页码:

155

栏目:

出版日期:

2014-04-15

文章信息/Info

Title:

Recording and Changing the Society with Movie Wisdom: The Emerging Avant-garde Director Wang Jing’s Movie Theory

作者:

朱 洁^*

南京师范大学文学院,210097。

Author(s):

ZHU Jie

关键词:

王竞电影;  现实主义;  戏剧性;  商业元素;  作者风格

Keywords:

Wang Jing’s movies;  realism;  dramaticity;  commercial elements;  authorial style

摘要:

中国新锐导演王竞的电影以中小成本现实题材为主,强调对社会现实的关注,以现实主义创作方法,透视民生热点,表达民心企盼; 在叙事策略上,删繁就简,强化戏剧性情境; 在人物塑造上,既有整体社会群像的素描,也有对女性个体的深度刻画; 在艺术手法上,将商业元素与作者风格相杂糅,寻求商业与艺术的平衡。王竞电影虽具有社会文化价值,却面临市场推广的瓶颈。

Abstract:

Movies made by Wang Jing, a Chinese emerging avant-garde director, are mainly small and medium sized in terms of theme as well as investment. His works focus on social reality, reflecting people’s aspirations and concerns in their daily life through employing the realistic creation techniques. In terms of narrative strategy, he prefers to reduce the complicated story to its essence and strengthen the dramatic settings. In terms of characterization, his works feature not only the sketches of people in social groups but also the detailed descriptions of female individuals. In terms of artistic devices, he combines commercial elements with his personal style, trying to strike a balance between commercial pursuits and artistic achievements. Therefore, while Wang’s movies have their cultural values, they are facing an enormous marketing bottleneck.

备注/Memo

备注/Memo:

* 文学博士,南京师范大学文学院副教授,210097。

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更新日期/Last Update: 2014-04-15