论中国第三代电影导演的艺术创造-《南京师大学报》（社会科学版）

文章信息/Info

Keywords:: third generation film directors; film language; popularization; nationalization; film tradition

摘要:: 中国第三代电影导演群体在时代政治的需求和制约下坚守电影理想和艺术使命。但由于左倾政治运动的干扰,他们在长期的电影实践中也逐渐形成一种“不求艺术有功,但求政治无过”的消极心态,这对他们的艺术创造构成负面影响。然而,第三代导演仍然在镜头运用、画面构图、蒙太奇艺术,以及电影的大众化、民族化等方面进行了深具时代特色的艺术创造。此外,第三代导演的艺术创造与中国电影传统的关系也值得深思。

Abstract:: The third generation Chinese film directors adhered to the film ideals and artistic mission due to the needs and constraints of the political era. But because of the interference of leftist political movements, they gradually formed a passive mentality of “not seeking art actively, but staying correct politically”. This ideology exerted a negative impact on their works. However, the third generation film directors still made a lot of artistic creations showing the great features of the times in terms of the lens using, picture composition, montage art, the movie’s popularization, nationalization and other aspects. In addition, the relationship between the third generation director’s artistic creation and Chinese film tradition needs our thorough examination.