Evolution of the Narrative Mode Characterized by Bringing out the Motive at the End of the Text from the Perspective of Revealing the Narrator’s Name: Centering on xiangbo, jienanshan, songgao, zhengmin, and bigong(PDF)
《南京师大学报》（社会科学版）[ISSN:1006-6977/CN:61-1281/TN]
- Issue:
- 2015年04期
- Page:
- 125-
- Research Field:
- 古代文学研究
- Publishing date:
Info
- Title:
- Evolution of the Narrative Mode Characterized by Bringing out the Motive at the End of the Text from the Perspective of Revealing the Narrator’s Name: Centering on xiangbo, jienanshan, songgao, zhengmin, and bigong
- Author(s):
- SHAO Bing-jun
- Keywords:
- poetry; true author; narrative text; revelation of the narrator’s name; bringing out the motive at the end of the text; narrative mode
- PACS:
- -
- DOI:
- -
- Abstract:
- Narrators of shijing·xiaoya·xiangbo诗·小雅·巷伯, jienanshan节南山, daya·songgao 大雅·崧高, zhengmin烝民, and lusong·bigong鲁颂·閟宫 adopted a narrative mode characterized by revealing their names at the end of the texts to bring out their motives. In other words, they replaced the narrator “I” with the authorial “I’, referring to the real author himself. This is a typical case of overt narrator. One thing they have in common is the strengthening of the narrative subject’s overt evaluation and self-consciousness. Such a narrative mode has exerted a profound influence on the creation of Chinese poetry and even literature in general.
Last Update: 2015-08-01