[1]何成洲.何谓文学事件？[J].南京师大学报(社会科学版),2019,(06):005-14.
　HE Chengzhou.What Is the Event of Literature?[J].Journal of Nanjing Normal University (Social Science Edition),2019,(06):005-14.
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何谓文学事件？
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《南京师大学报》（社会科学版）[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2019年06期
页码:
005-14
栏目:
本刊特稿
出版日期:
2019-11-25

文章信息/Info

Title:
What Is the Event of Literature?
作者:
何成洲
南京大学外国语学院与艺术学院（南京210093）
Author(s):
HE Chengzhou
关键词:
文学; 事件; 理论; 阅读
Keywords:
literature;  event;  theory;  reading
摘要:
21 世纪初以来，文学研究正在经历一个事件转向，它与哲学、艺术和文化研究中事件和操演性理论的兴起有着密切的关系。其中，德勒兹和齐泽克的事件哲学分别强调事件的生成性和断裂性转变，成为文学事件的重要思想资源。从事件的角度看待文学，核心问题是解释文学不同于其它写作的独特性，对作家创作、文本、阅读等进行系统的重新认识和分析。需要讨论的重点议题包括：作者的创作意图与文本的意向性，文本的生成性和阅读的操演。与作为表征或者再现的文学观念不同，文学事件强调作家创作的过程性、文学语言的建构性、文学的媒介性、阅读的作用力以及文学对于现实的影响，它将文学的发生和效果视为文学性的关键特征。
Abstract:
Since the beginning of the 21st century, literary studies have undergone a so-called“ event turn” ,which is informed by the rise of the event theory and performativity theory in the philosophy, arts and culturalstudies. In particular, the philosophical theories of event advanced by Deleuze and ?i?ek, characterized by theirrespective emphases on the generative and transformative aspects of event, constitute the major theoreticalsource for the theorization on the event of literature. From the perspective of event, the core task of literarystudies is to explain the singularity of literature, which calls for a new understanding and analysis of literature.The issues that will be under close scrutiny include: the writer’s intentions and the intentionality of the text, thebecoming of the text, and the performance of reading. Different from the concept of literature as representation,the theory of literature as event places emphasis on the following issues: the process of author’s writing, theliterary language as performative, the mediality of literature, the uses of reading, and the effects of literatureon reality. The thrust of this theory is thus to regard the becoming and effects of literary works as the two keyfeatures of literature.

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备注/Memo

备注/Memo:
何成洲，文学博士，南京大学外国语学院与艺术学院教授、博士生导师，长江学者特聘教授，欧洲科学院外籍院士（南京210093）。本文系国家社科基金艺术学重大项目“当代欧美戏剧理论前言问题研究”（18ZD06）之阶段性成果。
HE Chengzhou, Doctor of Arts, Changjiang Distinguished Professor of English andDrama, and Foreign Member of Academia Europaea（ The Academy of Europe） , is Professor at School ofForeign Studies and School of Arts, Nanjing University（ 210093）
更新日期/Last Update: 2019-11-25