互文性视角下路易丝·拉贝“歌集”的多声部意义-《南京师范大学学报（社会科学版）》

文章信息/Info

Title:: Polyphonic Significance of Louise Labe’s Songs：From thePerspective of Intertextuality

Keywords:: Louise labe; intertextuality; ancient Greek and Roman culture; cavalier literature; Petrarquisme

摘要:: 路易丝·拉贝，法国文艺复兴时期里昂著名女诗人，她的作品集中体现了16 世纪里昂流行的各种思潮。本文以互文性视角来分析其诗歌，通过互文性解读尽量深入地挖掘其诗歌的多声部意义。虽然她的诗歌只围绕一个主要主题——爱情，但她用来编织诗歌文本空间的线却多种多样，古希腊罗马文化、中世纪骑士文学和彼特拉克主义等都成为她的手中线。这些互文本共同构建了路易丝·拉贝的诗歌空间，将16 世纪里昂社会写入了文本之中。

Abstract:: Louise Labe was a famous France poetess of Lyon in the Renaissance Period. Her poems reflect thevarious trends of thought popular in Lyon in the sixteenth Century. This paper attempts to analyze her poetryfrom an intertextual perspective and to find the meaning of multiple voices in her poetry through the full rangeof interpretation. Love is the main theme of her poetry，but the materials used to construct the textual space inher poetry are varied，including the ancient Greek and Roman culture，medieval cavalier literature，Platonismand Petrarquisme. These intertextual texts constitute Louise Labe’s poetic space，opening up to readers thesociety of Lyon in the sixteenth Century by the text.